In recent years, my pictorial practice has become a way of exploring what cannot always be named: the invisible, the emotional, and what remains silent. I do not seek to represent a specific idea, but rather to open a space where matter, color, and symbolic elements —through layers, transparencies, and glazes— reveal what usually remains hidden.
I conceive painting as a language in itself, capable of containing tensions, emotions, and contradictions. I am drawn to that ambiguous space between control and accident, where overlapping layers begin to speak on their own. Within them lies a memory of the unconscious, of time 
and thought; they are traces of a process rather than a pursuit of aesthetics.
The female figure appears recurrently, though fragmented, veiled, or abstract, as a symbol of presence and voice. It reflects the human condition, vulnerability, and the ways we learn to reveal and protect ourselves.
My work arises from a need for introspection, but also for dialogue —with matter, with the viewer, and with what cannot be said. Through painting, I seek to bring forth an emotional truth, something that transcends anecdote or narrative, and invites the viewer to look beyond the surface.